Pretty much the first thing I did when I got my first book deal was to send off a copy of my contract to The CWA, along with my application to join. In 2014, I was shortlisted for the very first Margery Allingham short story competition (and that story has since gone on to be published in esteemed US journal Alfred Hitchcock Mystery Magazine). So you can imagine how delighted I was to find out I’d be having a short story included in the latest CWA anthology! It’s called Mystery Tour, and it features stories that are linked in some way by travel. It includes stories by an incredible selection of crime, thriller and mystery writers . . . and me!
My story is called A Slight Change of Plan. It’s about two old friends who meet up to go hiking, and of course, it doesn’t end well. I wrote the first version of this story a few years ago, when my husband had gone away for the weekend to go hiking with his friend. I started thinking about all the things that could happen, and a dastardly plot started to unfurl in my mind. The two characters popped into my head straight away – a bolshy, vain pain in the arse, and his long-suffering slightly geeky old friend (not based on anyone I know!) But things are never what they seem, are they? When I saw the brief for this year’s anthology, I knew this was the right story. I rejigged it a bit until I was happy with it, and then sent it off. When I heard back from the editor Martin Edwards and the publisher Karen Sullivan (Orenda Books) that it had made the cut, I was so excited! The books look absolutely gorgeous (paperback and limited edition hardback – plus ebook, of course) and all of the stories in there are top notch. Perfect for a Christmas gift for yourself, maybe – there might be some authors in there you haven’t read before . . .
. . . and in case you were wondering – my husband and his friend did make it back safely from that hike 🙂
To celebrate the launch of my third novel, THE DAMSELFLY – which is released into the wild (and all good bookshops) TODAY – I thought it might be fun to ask my non-crimeyfriends and my family to ask me a question. Most of them knew me long before I started writing novels. Turns out, there was a lot they wanted to know… and some people really don’t get the concept of ONE question 😉 In fact, I think some of these questions say more about them than they do about me! Thanks to everyone who took the time to think something up. Hope you like the answers!
Jamie Holliday: What did you think of Trainspotting 2? Well there’s one line from the film that sums it up perfectly – Sickboy tells Renton, ‘You’re a tourist in your own youth.’ I think we’re all guilty of a bit of nostalgia, and wanting to relive our younger years. Watching this film was all about that. I definitely felt emotional, especially with all the Edinburgh scenes and references to twenty years ago (especially when my dad just reminded me that it is almost 18 years since we left The Plough, the place that shaped my teen/young adult years) The updated ‘Choose Life’ was brilliant, and there were some classic funny moments too. I loved Spud. I just wanted to hug him. I thought it was brilliantly done and I loved it 🙂
Paula DeVaux: Are any of your characters based on people you know? Not any one individual, but many amalgamations of people I have encountered in some way over the years. I’m always people watching and things definitely stick in my head. Mannerisms, that sort of thing. If you had to be trapped in a book, which book would you choose? I’d quite like to be trapped inside The Wind in The Willows. I loved that book as a child. I suppose I’d have to be an animal if I lived there though? I think I’d be a hare. A mad one.
Micheal Forrestal: How much inspiration do you take from real life people that you know and turn them into characters in your books? Not so much people that I know, but I do like to eavesdrop on the conversations of strangers and make up characters based on that. When will you write a story with a male investment banking hero? I wrote this one. How much older and wiser are the characters in Banktoun. How have they changed their outlook over the series? They aren’t much older, and I am not sure they are wiser. All three books take place over a six month period in time. They may be a bit confused about why so many people have been murdered in a town of 4,000 in such a short space of time, though. Why are you so mean to me? Because I love you?
Ashlie Inglis: Which book did you most enjoy writing, and why? The second one, Willow Walk. Once I’d worked out the twisted backstory of Marie, it all flowed very easily. I enjoyed writing the fairground scenes, especially. Who’s your number one fan? MICHEAL. If I find out what a ducha escocesa is, will you incorporate it into your next book? Absolutely. I hope it’s something to do with your face being wiped with a slavery hanky. I realise that no-one from outside Scotland, or possibly our own family, will understand that last sentence.
Abby Fleetham: Have you read your own books after they are published? Not in full, no. Sometimes I have flicked through them when I am trying to remember something that happened, or if someone asks me about something that happened. Usually I have to search for things like a character’s hair colour to make it consistent in the next book, but then I realise I never actually stated what it was in the first place. Even reading little bits, it’s hard to comprehend that I actually wrote any of these books!
Dad: If you could go on holiday anywhere in the world, where would you choose? Well, as you know I’ve been to quite a few places already. I love travelling and there are still places I’ve never been to and would love to visit, like Hawaii. Are you offering to pay? 😉
Nicki Ridge: Are there more Banktoun stories you want to write or do you have a brand new idea you’re working on? I definitely want to write more Banktoun, but I am wary of turning it into Midsomer. I think a spin-off is a possibility, featuring some of the characters… but I am currently working on something else, as I need a little break from Banktoun for a while!
Russell Holliday: What’s your favourite condiment? I’m not a massive condiment fan, but I think I’d have to go with mayonnaise. Maybe mixed with a squirt of ketchup. Or garlic. Not together though.
Catherine Edser: If you could be someone else for a day who would it be? Victoria Beckham. So I could experience how it feels to be recognised by everyone… and so I could sleep with David, obviously. What’s the scariest situation you’ve ever found yourself in? I can still remember how scared I was when two boys followed me and my friend into the woods when we were children, and one of them told us he had a knife. If that sounds an awful lot like the premise for Black Wood, that’s because it is!
Mum: What’s your favourite word or saying, and why? I say FFS quite a lot, and not in the abbreviated form. Was that what you had in mind? 😉 I really like the word discombobulated. It applies most days, especially if I happen to watch the news. If there was a film about your life, who would you want to play you? Ruth Wilson. I’d like to be depicted with those lips. What inscription would you put on your own headstone? “She tried her best, FFS.”
Brian Hennessy: When did you first start thinking disturbed thoughts?When I found that box of 70s/80s horror novels my mum kept hidden in a cupboard. Like this beauty by John Halkin… Thanks mum!!!
Rebecca Edwards: How do you go about choosing the names for the characters in your books? I am really glad you asked this. Clearly you haven’t read my book yet, or you would have spotted yourself in there… and your other half! When writing Black Wood, I spent far too long faffing about, trying to choose names – searching online using baby names, or automatic name generators. But then I decided to try and use some surnames of people from the town that Banktoun is based on. In Willow Walk, I ran competitions for people to have their names in the book (I killed all those people), and I started to use names of people I know, mixing up their first and surnames. In The Damselfly, almost every character has a name made up from combinations of my friends’ names. I also use their names for places, e.g. Forrestal’s Funfair and Fleetham’s Newsagents. I love it when people spot their own names or those of people they know 🙂 Eventually, everyone I have ever met will be featured in a book somewhere.
David McCarthy: Have you ever found your competing worlds of statistics and crime writing to collide? With deadlines, yes. It seems to be all or nothing – busy projects always seem to clash with book deadlines but I do seem to work better when I’m busy.
Vari Innes: Which book do you wish you could read for the first time again and why?American Psycho by Bret Easton Ellis, because it’s one of the most shocking but brilliant portrayals of a psychopath that I have ever read. The film is excellent too.
Emma Zuccaro: Out of the many horrors you have read who has been your favourite psychopath and if the book has been brought to the big screen has the actor/actress played that character as well as described in the book? Very difficult to choose between the two chaps on the right… From book to book did you create your characters’ progression or was that a completed concept right from the off? I have very little idea about my characters until I get about a third of the way into writing the book. I don’t tell them what to do, it just sort of happens. If the trilogy was to be made in to a television mini series which actor would you envision to play Davie? See below 🙂
Matt Glasby: Who would play Davie in the film adaptation? This finally came to me the other day. Not just Davie, but DC Louise Jennings too. I’d like Dougray Scott and Dawn Steele. They’d be perfect (although Dawn might need to dye her hair). I hope they’re reading this…
Hannah Evans: Have you read a book so scary you had to put it in the freezer? If only I’d seen that episode of Friends before I read the scary books… What was the first truly frightening book you can recall reading? I can’t remember the really scary ones that I read when I was too young to be reading them, but I do remember being very freaked out by Salem’s Lot and being petrified that someone might be hovering outside my bedroom window. Have you ever read a Mills & Boon? More than one. I used to quite like the ones with the cowboys, in my teens. We had a whole case of them in my dad’s shop and they got changed over ever few weeks. I reckon I read hundreds of them! How has your career in statistics aided in your second career as author? Hmm. Spreadsheets? Deadlines, planning? Pressure? Character names? Is there a sex scene in the next book? Two. A brief one, and an aborted one. When writing sex scene in second book, were you concerned that you’d win the “bad sex” fiction award? No, because I write great sex! Who do you picture you are writing for? You, so you can ask me ridiculous questions about it. Fancy a trip into writing YA fiction? Yes, and books for younger children too. Who is your favourite sister? They’re twins so I can say both 🙂 Based on hours accumulated writing and revenue received, how much per hour do you earn and does this mean you can afford to take me on tour? You can’t quantify creativity. And, no. How would you commit the perfect crime? Stab them with an icicle while wearing a balaclava? Favourite British landmark? Edinburgh Castle. Is Sergeant Davie (is that his name, I can’t remember for sure) based in anyway on a family member, or husband? No. Do you feel like a proper “grown up?” In every way? Absolutely not. Does anyone?
Bryan Bayfield: Do you hide any secrets in your books that only a few people will find? Not secrets, as such, but I use people’s names and sometimes anecdotes that the people who know will know when they see it, and the people who don’t will be none the wiser.
Gillian Barr: Now that you’ve written three books in three quite different styles of writing, is there any one way that you feel will become your approach to writing a book and also is there any technique that you would avoid in the future? I wanted to test myself and teach myself by writing each book in a different style, and each one had its own pros and cons. I don’t think I consciously chose any of these, and I don’t think I could choose one for the next book – it’s down to the story, in many ways. Sometimes it takes a while to work out the right way to tell it.
Laura James: What 3 things can you not live without and why? Pick things from the following list – A food, a book, a piece of tech, a drink, a location to visit. Cheddar cheese, because what would be the point of life without it? My phone, because I can keep in touch with everyone and also write chapters of books into it and email them to myself. The town where I grew up, because it holds so many memories (many of which are now immortalised in Banktoun.) What book was your favourite as a child but when you’ve re read (if you have) did it still live up to your memories? I haven’t re-read any of my favourite childhood books. I am scared that they won’t be as good as I remember. I loved Roald Dahl though and would love to re-read all of those one day.
Fiona Forrestal: If you didn’t write contemporary crime what era would you write in? I would love to write something set fully in the 80s because I loved growing up then and I think it’s a cool era pre-technology. It’s historical now, apparently, which makes me feel ancient! Have you ever lied to someone about them being in your writing? Not yet… Do you have a good memory for music and style when writing in the past (your lifetime) or do you need to research it? I like to write it as I remember it, but sometimes I have to check specific years for certain music etc (or ask Mr H, who has an incredible memory for dates from the 80s and 90s!)
Jon Smith: Am I in your new book or at least my name (in part with Lynne or Karen!) If not, why not – you promised 😘 Yes, you are (with Lynne!) Jon Poole is the headmaster of Banktoun Primary. But if so, is the character (or any others) based on any characteristics of the stats dudes? Marie Bloomfield in your last book did not appear so… You’re right, I take the names only. No characteristics. Well, except for your sexy ‘Amazonian’ secretary, Catherine Leeming…
Catherine Leeming-Price: When you start thinking of a plot, how do you know how far to take it (i.e. so the audience get it, they stay gripped, aren’t horrified/disgusted in the wrong way e.g. to the point of slamming the book down never to pick it up again)? Believe it or not, I don’t really set out to write anything horrific. I have covered some controversial topics, but I try to be as sensitive about them as I can. A little of burst of horror to reel you in, but not too much that it would put you off.
Marie Watissee: How did you come up with the character of Sergeant Davie Gray? Was he based on anyone you know? I don’t actually know. I needed a policeman, and he appeared. I think he is kind of based on a mixture of all the policemen I met when I was young. How do you come up with the ideas for your books? Ideas come to me all the time. Things just pop into my head. I can take any innocent situation and turn it on its head into something dark and disastrous.
Ralph Bloomfield: I assume you are an avid reader but are there any types or styles that you just can’t stand or do feel you should read anything in case it gives you an idea for a plot or character? The latter. Although I do struggle with straightforward romance/chick-lit type stuff as I am usually wondering when someone is going to be murdered. I pretty much do read anything though. I often get great ideas from the tiny news snippets that are used as fillers in the sidebars of tabloid newspapers.
Andrew Whittaker: Desert island discs. Top three. Pearl Jam, TEN. Nirvana, NEVERMIND. The Killers, HOT FUSS. That was actually quite easy 🙂
Miranda Kate: Do you have any tricks or tips for juggling job and writing? Not really! It is very hard to switch from one to the other. I find that being busy is good for productivity, though. If I don’t have deadlines, I become complacent. Do you follow any particular time management things? No. But I am trying to get better by using a day planner. The whole planner or pantsers thing – have you started planning more under the pressure to produce 3 books to contract? I seem to have done exactly the same each time – written lots of notes, turned them into a rough synopsis, written 20k words, stopped, outlined the rest chapter by chapter, and blasted it out before going back to edit the whole thing. Having a line for each chapter telling me roughly what it is meant to be means it is easier for me to dive in and write quickly, knowing what I am going to be writing about, even though it does change and evolve as the whole story grows. What have you found the most challenging about the entire ‘getting your book published’ process? Having very little control over how well the book sells. There is publicity and marketing, and then there’s a lot of luck. You do feel a bit helpless, but all you can hope for is that people start to spread the word, because it is very hard to get noticed when there are so many brilliant books released every single week. And what is your favourite bit? Getting messages from readers who enjoyed my book is the best feeling ever.
Thanks, all – I love you and I love your questions! If anyone else would like to ask me something (the more random, the better) – please comment below. I will answer anything. Maybe 😉
Ok, I realise I haven’t written anything on here for quite a long time. July, actually… and a lot has happened since July! There’s been three major crime writing festivals – Theakstons Crime in Harrogate, Bloody Scotland in Stirling and Bouchercon in New Orleans, plus I taught a creative writing workshop in a prison, and I took some time off from the day job to finish writing the third book in my Banktoun trilogy – The Damselfly.
I’m sure I might’ve blogged last year about ‘difficult book 2’ – in hindsight, Willow Walk wasn’t tricky at all. Deciding which idea to run with was the hard part, but once that was nailed down, I was able to outline and throw down the words pretty fast before a neat edit to add lots more creepiness 🙂
So book 3 should’ve been easy, right? Well, no. It wasn’t… and it’s not for the reasons I originally thought.
I’ve managed quite well in the past, juggling day job and writing, but with this book, there was a horrendous crash of timings that meant I had to stop writing for a few months to deal with day job stuff and then when I was ready to get back to the writing, I had the release of book 2 and all the promo that entailed. This was the reason that I found writing book 3 so hard, I thought. That, and the fact that it was much more of a traditional murder mystery whodunnit, with lots of red herrings and more police procedure than I was used to writing. It wasn’t until I’d finished it (after many angsty calls to my agent and some brilliantly supportive writing friends) that I realised the REAL reason why it was so damn hard to write.
Here’s the thing: I knew I was going to write The Damselfly before I wrote anything else. You probably know that my first book, Black Wood, was sparked by a true story – a thing that almost happened to me when I was young – a thing I used as a starting point to come up with a dark tale of buried secrets. Well, The Damselfly is also based on something real – something awful and tragic that happened in my town, many years ago – something that rocked the community and destroyed lives.
It’s all very well to read about fictional crimes in fictional towns, but as always, the reality is always darker – fascinating, but when it’s real, it’s not always so easy to talk about it, or to read about it. Not when real people are involved.
I always knew I wanted to write my own version of this story, and I always knew I would use the real story as a starting point only – just like in Black Wood. But when I was writing it – when I got to the end of my version of the story – when I realised ‘whodunnit’ – I cried.
The Damselfly is not a true story, but there is an element in there – a horrible tragedy, a huge sadness – that reminds me of the real case that inspired it, and that – I think – is the reason that I found it so difficult to write. I hope I’ve handled the topic sensitively, and I hope you’ll be as drawn into the community as I was while I was writing it. Before you ask, I’m not going to share the real story. I don’t want to exploit it, as there are people in the town who will remember it; who were directly affected by it (however, if you really want to find it, it won’t be too hard.)
I might need to write something lighter next, as a palate cleanser… although whenever I try to do that, it inevitably takes a darker turn! The Damselfly is out on 2nd February 2017, available in all the usual places…
…and I absolutely LOVE the cover 🙂
If you haven’t read the others, why not?!
Only joking 😉 Each story stands on it’s own, but if you want to read them in order, you can get them here (or at all the usual places, e.g. Kobo, Waterstones, iBooks, WH Smith…)