Today I’m delighted to welcome Ava Marsh to the blog to tell us a bit about the heroine of her fantastic second novel EXPOSURE. Ava’s debut UNTOUCHABLE was one of my favourite reads of last year, and her second is every bit as good. if you fancy something a bit different (brilliantly written, engaging, twisty and twisted, dark and sexy!) give them a whirl… plus, there’s a fun competition at the end of the post to win a copy of the book, where you can find out exactly what Kitty Sweet has been up to🙂
Over to you, Ava.
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I never believed all that guff you often hear authors say about their characters taking over the story. Thought it was just a fanciful way of making the endless slog of writing a novel sound more glamorous and mysterious than it really is. More magical, as if words and ideas sprang from some ineffable external source. Characters, I firmly believed, did exactly what you told them to do because, quite simply, you made them up. You, the author, were the one in control of this whole shebang – though of course, all readers bring their own stuff into the mix, and read between the lines things you never consciously intended to be there.
My author-as-god pragmatic approach remained intact until I met Kitty, the capricious ‘heroine’ of my latest novel, Exposure. I set about getting to know her the way I did most of my characters – deciding on her background, family situation, needs, likes, whatever. I carried out the exact same exercises I always use – a few character prompts, some brainstorming, a lot of thinking and scribbling ideas down on bits of paper. Armed with a rough idea of what I wanted to say via her character, and how the plot would unfold, I set forth into my first draft.
I quickly came unstuck. Kitty, apparently, had other ideas that didn’t seem to have anything to do with my original intentions for the story. It was all very frustrating. Whereas Grace from Untouchable was someone I got to know fairly quickly, someone I innately understood pretty much from the get-go, Kitty point-blank refused to cooperate. Try as I might, I just couldn’t get a sense of what made her tick.
This, needless to say, was all very disconcerting – I blamed myself, my methods, my inability to fully realise her character in my mind. Whatever I did, she remained slightly unknowable, as if I was peering at her obliquely through a pane of glass smeared with dust and dirt – I could delineate certain aspects of her personality, but couldn’t make out the whole. I began to feel genuinely sorry for her prison therapist, Yvonne, who seemed to be having the same trouble getting to the bottom of what was really going on inside Kitty’s pretty little head.
Looking back, I was being impossibly dense, but thankfully Kitty waited for me to catch up. Eventually, after drafting out most of the book, I finally got what she was trying to tell me – that nothing about her was quite what it seemed. As soon as I grasped this, everything fell into place. I had my character, and I had a much stronger grasp of the sort of book she wanted me to write. And Kitty, finally, sprang into life, in all her capricious, enigmatic, inscrutable glory.
The whole experience taught me a lot. Never imagine you’re in complete control of your characters or your world. Never assume that writing one book will be the same as writing the next. And never give up when your story stalls – the solution may be just around the corner.
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I’m a massive fan of both of Ava’s books, and I can tell you that Exposure is currently only £1.99 on Amazon – a bargain! But if you’d prefer a paper copy, I have one signed copy to give to one lucky reader… all you have to do is share this blog post on social media, and answer the question below (in the comments, please) – Ava will choose a winner on 31st October. (UK only, sorry!)
QUESTION: If you could choose a secret identity that meant you could do anything you wanted and no one would ever know it was you, who or what would you choose to be?